Open Call for Projects 2022/23

Alphabetical Index

Julio Aguirre — Dos Mundos — 2018
Sarah Al-Fulaij — Planned Views — 2014
E. Andrade-Guerrero — Baile Folklórico — 2018
Yara Antoun — Coffee Patterns — 2019
Carolina Arciniegas — Hinter Gittern — 2014
Tracy Bassil — Urbic — 2017
Josh Blankfield— Bathe — 2020
Alexander Breyley — Putin’s Russia — 2014
Johanna Buehler — Try To Trace The Tracks — 2018
Sean Burgess — Genomics — 2017
Ronja Burkard & Noemi Thommen — Flip Your Destiny — 2019
Candice Cantu — Techgrow — 2016
Daniel Cardoza — Celestine Revelations — 2016
Li Wen Chang — Shan Hai Ching — 2014
Li Chung Chang — Zen — 2014
Karis Cheng — The Arc Geos — 2014
Leung Chi Kwan — . / O — 2014
Taylor Childers — Suburban Midwest — 2014
Lucia Delgado — Emotional Planets — 2018
Jose Diaz — Endangered Animals — 2017
Roxana Dominguez — Inequality of Urban Space — 2016
Chloe Maria El Khoueiri — Soothing Sounds — 2019
Camille Espinas — Curiosité Killed Die Katze — 2018
Cole Finch — Changing Cities — 2017
Stefan Fitze & Maxim Staehelin — Earports — 2019
Farida Foda — GLITCHE — 2020
Angelina Foos — Slavic Ghosts & Creature — 2018
Andrea Sara Gallo — Shaping Language — 2019
Andrea Gilbert — Changing Animals — 2017
Grace Gossen — Gender Identity — 2016
Patricia Grabowicz — Chews a character — 2018
Livia Graf — Hydropower — 2018
Sophie Green — Flight Paths and Motion — 2014
Name Haksar & Dolder — Labyrinth — 2018
Lisa Hartmann — Form – Museum — 2018
Lam Hau Yi — Strokes from Nature — 2014
Zhu He — Chinese Cuisine — 2014
Fiona Hügi — Twice a Day — 2019
Caleb Hui — Wonderland — 2014
Imhof & Krenmayr — The PET Proof of Identity — 2018
Lukas Jäger — We Woke Up Like This — 2019
Raafia Jessa — /ˈlo.kwiː/ — 2016
Vivien Jirschik & Nico Liebig — 45 Mobile-Unlock-Symbols — 2019
Luise Kalkbrenner — Lost In Light — 2018
Ramzi Khalife — Between Western and Middle-Eastern Sound Waves — 2019
Chloe Koo — Hanbok — 2014
Ayaha Kato — In Your Hands — 2020
Onur Köroglu — Melting Glaciers — 2019
Yoko Kristiansen — Watching You — 2016
Christian Kuhn — The Phaistos Tale — 2014
Chieh-Ting Lee — Living With Gods — 2016
Jiyoon Lee — In The Beginning — 2014
Mirjam Leppers — The Sixth Day — 2014
Winnie Liu Wai Ling — The Song Geos — 2014
Huy Long — Pho — 2014
Daniela M. Casado — Motherland — 2014
Sergio Mantilla= — Visual Slang — 2014
Lena Meier — Deltas in Danger — 2014
Kellee Morgado — Gender Expression — 2016
Christina Möser — St. Peter — 2014
Ghida Nadar — 3al Lebnene — 2019
Helen Nerio — Urban Connectivity — 2016
Salomé Anna Neuhaus — Monoculture — 2018
Mathew Oakes — Urban Sprawling — 2016
Valentina Os — Herbal Tradition — 2014
Chika Oshima — Metaphor — 2020
Celine Pereira — Human Database — 2018
Caleb Peters — Self-Identification — 2019
Valentina Pherson — Rak’ah — 2014
Alex Pillow — Roll of the Dice — 2020
Tsang Po Fan — 45 Compositions — 2014
Darlington Prescott — Mission to Mars — 2014
Ali Razzak — Screen Scrying — 2020
Michèle Rietzl — Macronutrient Pyramids — 2018
Julien Rondez — Jura Skyline — 2018
Camila Ruiz — Migration Fragments — 2018
Nicole Salazar — Beginner's Mind — 2018
Isaac Sanchez — AI Generated Language — 2018
Katjetan Som — Circular Font System — 2019
Yukino Sasada — The Charm of Twist — 2020
Kayla Stellwagen — Swiss Heights — 2019
Rebecca Stork Under Cover — 2019
Alisa Strub — Space Junk — 2019
YaHsin Sung — Jasmine Tea —2019
Annatina Themis — Mushroom Match-Up — 2019
Alex Thrift — Another World — 2018
Vinci To — Hong Kong Style — 2014
Karen Trachsel — Rounded Biographies — 2019
Thi Tran — Uniqueness — 2016
Ricardo Vega — Chile stamp — 2014
Maria Camilla Vegas — Metamorphose — 2014
Linda Walter — Naturalis Terminus — 2018
Kayla Wong — Monsters — 2014
Luca Wunderlin — Go Viral — 2019
Kanny Yeung — Once Upon A Time — 2014
Vincent Yiu — A Kind of Writing — 2014
Aslin Yu-Heng Lin — LGBT in Taiwan — 2016
Chisaki Yuki — Frozen Lives — 2020
Aushuho Z — ‘ 字 — 2014
Wenting Zhang — Analog Machines — 2014

Group Projects

Assra Tajbhai, Fatima Mohammed, Bham Nikita Govender, and Ssanyu Sematimba — Unity in Diversity — 2017

Bryton Scott, Muhammed Modhien, and Deirdre Okumu — The Code of Gumboot — 2018

Chandelle Wilsnagh, Mmatshepo Simelane, Ashir Ajudhiya, and Dobyl Malubane — The Navigators — 2018

Danielle Rouillard, Marcel Sadowski, Siane Power, and Jessica Donner — Self Destruction — 2016

Dominique Stiekema, Eva-Marie Dinwoodie, and Chante Kimmie — The Butterfly Effect — 2018

Kimberly Gosling, Birgitta Le Roux, Kaylynne Thompson and Zanele Mkhwanazi — Jozi Spots — 2016

Nicole Potgieter, Claudia Rodrigues, Zaid Shaik, and Awakhe Sithebe — The 21st Century Culture — 2018

Sarisha Padayachy, Mikaela Elkon, Caleb Pillay, Zeenat Tilly, and Tyler de Klerk — Genggai Climate Change — 2017

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A Kind of Writing
Vincent Yiu

March 2, 2013March 28, 2018

A Kind of Writing

A kind of writing is an experiment that combines the fluidity of ink and the free form of strokes. It is inspired by the writing practice of Chinese herbal prescriptions.

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